Stewie: “Lois, Lois, Lois, Lois, Lois, mom, mom, mom, mommy, mommy, mommy, mama, mama, mama, ma, ma, ma, ma, mom, mom, mom, mom, mommy, mommy, mama, mama, mama…”
Today…I would like to talk about the “Crowned And Conquering Child” energy that has seemed to be a staple of our post-2012 world. Actually, we can trace this energy back to the 1960s…or, if you really want to take more of a “long” view, from the start of the 1900s. And I’m going to go over all of that (you know: in brief) in this post.
“The present age is under the influence of the force called, in magical terminology, Horus. This force relates to fire, Mars, and the sun, that is, to power, violence, and energy. It also relates to a child, being innocent (i.e. undifferentiated)…
This force is completely blind, depending upon the men and women in whom it manifests and who guide it. Obviously, its guidance now tends towards catastrophy.”
Now: this is not an endorsement of (or an attack on) Trump. And there are many examples of other currently famous personalities who also exude this childlike quality (albeit in different ways…the modern archetype of the “Tech Wunderkind” like Elon Musk comes immediately to mind)
This quality—or, if “quality” sounds too much like a value judgement, this “characteristic”—is not part-and-parcel of any one ideology.
What I’m saying is: we are in a “new” era of humanity and this planet. And this didn’t all of the sudden happen in December of 2012. This has been a process. And certainly, if you look at the extreme acceleration of technology and thought post-1900s…it was/is so extreme, (and seems to double almost by the day at this point) that it’s unprecedented in human history (that we know of).
And so have the birth of the motion picture, and the very earliest Mickey Mouse cartoon—very clearly a figure of this exuberant youth-quality. Movies more often than not indulges the childlike youthful dreams of the masses. The music soon follows—you go from the beginnings to jazz, bebop, etc…the beginnings of rock n’ roll…breaking out of more staid forms of music. Worship of Youth Culture.
In terms of American presidents, you go from a very wizened and mature military man (Eisenhower) to, comparatively, practically a boy: JFK. The term “New Frontier” gets coined. The space-race intensifies. Culture turns on a dime per the Beatles, now we’re in the hippie movement, the Summer of Love. As this is all going on, people are experimenting with psychedelics and opening to new (or very ancient, depending on your point of view) levels of consciousness.
The idea of “childhood” keeps getting extended later and later. Childhood/nostalgia culture gets elevated as the motif of the masses. Pundits complain: nobody is “growing up!”
And then we get Donald Trump as president, a person who has been depicted as a child in more political cartoons and memes than I can count. (as of this very morning, I’ve read a headline that described him as being “baby-sat.”)
And that is a key point I want to make. This energy of the new Aeon is not…how do I put it? I would caution a person to “idealize” it simply based on some sort of New Agey preconceptions of unicorns and light.
This “Horus”-like energy, rather, runs the full spectrum.
In my own personal experiences, attempting to “channel” (or contact my “higher self,” or as simply a creative exercise as writers tend to do)…you know, I expected some authoritative fatherly or motherly type “thing” to make a connection with. I expected “Seth” or like an Ascended Master.
And what I got was Stewie Griffin after a few beers.
(Does Stewie resonate Crowley just a little bit, or have I just gone insane? Like Crowley crossed with a big alien head)
But if Aleister Crowley was the “messenger” of this information…he wasn’t the Horus-type figure here. Crowley, for all his seeming anti-establishment qualities, was still from an Aeon of Osiris type world of an appeal to ancient patriarchal authority.
If anything, Jack Parsons was the Horus-type figure. Parsons (whom Crowley referred to as a “fool”) was childlike, intuitive, impulsive, jumpstarted what was to become the space program (hence, his connection to the Kubrickian Starchild/Crowleyan Moonchild), and etc.
He ultimately approached a lot of this esoteric stuff not from the appeal to ancient patriarchal authority but from a deeper undisciplined shamanic well (which often got “messy”).
The thing, about this present era: it’s a watch-and-wait to see exactly what type of Horus energy ultimately wins out.